by David Feela
Old movies
permit a man
seducing a woman
to grab her,
even as the woman
fights back.
Her role
requires she be
handled by men,
aversion or
explicit refusal
written into
a script that ends
for the audience
like a fairytale.
The director
understands,
he too is a man
and he wants her
to resist, loves
seeing how
grandly she demurs,
every retake
just to prove
she wants
to get it
right.
David Feela writes a monthly column for The Four Corners Free Press and for The Durango Telegraph. A poetry chapbook, Thought Experiments, won the Southwest Poet Series. His first full length poetry book The Home Atlas appeared in 2009. His new book of essays How Delicate These Arches released through Raven's Eye Press, has been chosen as a finalist for the Colorado Book Award.
Old movies
permit a man
seducing a woman
to grab her,
even as the woman
fights back.
Her role
requires she be
handled by men,
aversion or
explicit refusal
written into
a script that ends
for the audience
like a fairytale.
The director
understands,
he too is a man
and he wants her
to resist, loves
seeing how
grandly she demurs,
every retake
just to prove
she wants
to get it
right.
David Feela writes a monthly column for The Four Corners Free Press and for The Durango Telegraph. A poetry chapbook, Thought Experiments, won the Southwest Poet Series. His first full length poetry book The Home Atlas appeared in 2009. His new book of essays How Delicate These Arches released through Raven's Eye Press, has been chosen as a finalist for the Colorado Book Award.
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