Abstract: A dynamic, 3-D scene and hundreds of sources—a talk with a theatrical lighting designer
Photo © Lucas Krech
Today in Lighting 103, a little side trip. Fair warning: we are taking a bit of a deep dive. For some of you this will make your eyes glaze over. But for others, it'll be a very cool look into the way live performance lighting designers think with respect to color.
No worries; we'll be back in the center of the bell curve in the next installment.
A Chat with Lucas Krech
New York-based Lucas Krech is a lighting designer who works with operas, dances, plays and performance pieces. He is also is a photographer, which is how we originally intersected via Twitter.
A ways back, I wrote to him to find out a little more about how people approach the process of lighting live performances. What I got back was basically a firehose/brain dump that gave me a fascinating look into how he thinks. Read more »
Photo © Lucas Krech
Today in Lighting 103, a little side trip. Fair warning: we are taking a bit of a deep dive. For some of you this will make your eyes glaze over. But for others, it'll be a very cool look into the way live performance lighting designers think with respect to color.
No worries; we'll be back in the center of the bell curve in the next installment.
A Chat with Lucas Krech
New York-based Lucas Krech is a lighting designer who works with operas, dances, plays and performance pieces. He is also is a photographer, which is how we originally intersected via Twitter.
A ways back, I wrote to him to find out a little more about how people approach the process of lighting live performances. What I got back was basically a firehose/brain dump that gave me a fascinating look into how he thinks. Read more »
0 Response to "Lighting 103: How Designers Gel Live Performances"
Posting Komentar